July 23, 2012

  • 2012 Bay Area Playwrights Festival: Opening Weekend

    This past Friday, Saturday and Sunday I attended four (of the six) play readings presented at the Bay Area Playwrights Festival. Four plays in three days is a lot of theatre. And summing it up, well, perhaps it’s time for a stream of consciousness list.

    • Friday night plan: catch 10 Townsend to Potrero Hill.
    • Next Muni lied! I am not waiting 45 minutes for the bus.
    • Jumping on a Muni train to Church Street to catch the 22 Fillmore bus.
    • Early.
    • As usual.
    • Goat Hill Pizza: two slices to go, please.
    • Sitting on the steps next to the theatre eating my pizza.
    • Met Patricia Milton in person (have known her via Twitter for a while).
    • Aaron Loeb: Is that your mini cooper with the license plate: “playwright”?
    • ???
    • It was Patricia’s.
    • Lots of familiar faces.
    • Warm. It’s warm.
    • I have a fan (prepared–last year it was very hot in Thick House without any AC).
    • First play of the festival: Grounded by George Brant.
    • A one-character play that isn’t a one person play–successfully puts us both in character’s head and puts action in the present.
    • At end I’m left thinking about how warfare has evolved (play is about a fighter pilot who flies drones by remote) so has the types of trauma suffered by those engaged in battle.
    • I catch a ride to the bus stop and enjoy the cool night air coming in through the windows.
    • Saturday.
    • Why is the 1 California not running at regular intervals. Oh well. 38 Geary here I come.
    • I almost miss my stop at Fillmore because I’m listening to the conversation between a mother and her daughter. They’re dressed for the beach.
    • 22 Fillmore detour.
    • Early.
    • Of course.
    • 12 noon play is Ideation by Aaron Loeb.
    • I sit by Aaron’s wife Kathy who benefits from my constant fanning.
    • Fellow playwrights Garrett Groenveld and Brian Thorstenson sit behind us–miss seeing them regularly (we were in residency at the Playwrights Foundation together).
    • Aaron has a gift for dialogue that’s both complicated yet accessible and rife with humor, even when the topic is disturbing. Yes that’s a gift!
    • Many moments when I get a chill of recognition/understanding–Danger, Will Robinson!
    • Afterward I have 5 hours until the next play.
    • 5 hours!
    • Luckily my best friend Carrie just finished a dance class nearby. We meet on Valencia Street.
    • We eat at Limon. I’ve heard great things about it. In the end, while good, I’m a Destinos’ gal (Destinos is another Peruvian restaurant).
    • Then we meander around Valencia.
    • Eat homemade popsicles.
    • A round of drinks at Blondie’s.
    • She departs.
    • I still have 2 hours.
    • I walk to 24th and Mission. Don’t know why when my feet already hurt.
    • I buy a burrito at my favorite taqueria (El Farolito) and BART back to 16th street to catch the 22 bus.
    • I sit outside of the theatre eating my burrito.
    • It’s delicious.
    • It’s warmer tonight = fan in use entire time.
    • 8pm play reading is Samsara by Lauren Yee. 
    • It’s funny, quirky, imaginative, tender and unexpected.
    • “I love you, Microwave.”
    • I catch a ride back to Valencia and hail a cab.
    • Sunday.
    • Sunday I time my bus rides better and get to Peet’s on Fillmore and Sacramento to grab an iced coffee and citrus bread.
    • I try to do something I do at the Peet’s near work: ask for a small in a medium sized cup (so there’s extra room for milk).
    • This Peet’s is unfamiliar with this type of request.
    • They give me a small filled to the brim.
    • I ask for a larger cup thinking they’ll give me a medium.
    • They give me a large. Tons of room.
    • I pour in too much milk.
    • Oh well.
    • I catch the 22 and make my way to Thick House.
    • 12 noon play reading is The Hundred Flowers Project by Christopher Chen.
    • I’ve heard scenes from an early draft when my residency at the Playwrights Foundation’s overlapped with Chris’.
    • It’s changed (the play).
    • It’s a sort of cerebral exercise of form = content.
    • Chris is one smart guy.
    • I walk out into the sun, past the people playing baseball in the park.
    • I catch a cab and head for my futon.
    • Exhausted.

    -M

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